Re: [-empyre-] The Museum of the Essential and Beyond That

["arteonline" <arteonline@arteonline.arq.br>]

Hi Jim,

Thank you! You know I love the museum.
I am  just lauching the news  (Autumn - southern Hemisphere / Spring -
Northern Hemisphere) of the museum;

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Browser at http://arteonlien.arq.br find (page-bottom)

POP UP WINDOWS AVAILABLE!

Art and Poetry Games Show (March).

Arteroides / Jim Andrews, Atari800 / Barry Smylie-Ryan Douglas, Fog Game /
Regina Célia Pinto, Indian Moon Moth / flight to the sun, of the sun / Barry
Smylie, Ryan Douglas and Suzan Katz, Ludo / Regina célia Pinto,"Rethinking
War Games"/ Ruth Catlow, Tarot / Oscar Araripe, Two of Copas / Muriel Frega,
"War Game" /Joesér Alvarez.

Paris - Rio de Janeiro Gallery (9137 Km) > work in progress - 9,250 meters
up to now! (March).

News at the library, interview > Jorge Luiz Antonio and Regina Célia Pinto
interview David Daniels, who renders a touching deposition of his Art and
Life (March).

News at the library, books >"A Dúvida de Flusser, filosofia e Literatura" by
Gustavo Bernardo;"arte telemática/ dos intercâmbios pontuais aos ambientes
virtuais multiusuário" by Gilbertto Prado; "Corredores para Abutres" by
Regina Silveira, "Dicionário Mínimo" by Fernando Fiorese; "Final do Jogo" by
Julio Cortazar. "História da Arte do Século XX: idéias e movimentos" by
Lucio Agra and "La Poesía es la Poesía" by Clemente Padín (March).

News at the library, articles, reviews and essays> "David Daniels: uma
poesia para ser lida e vista" by Jorge Luiz Antonio, Brasil - (A);"El
net.art da una nueva lectura de
la espiritualidad en la era digital" by Roberta Bosco Y Stefano Caldana,
Spain ("El Pais") - (C) ; "Queridos alunos" by Adriana Dorfman, Brazil, (D)
; "Manifesto Antes Arte do Que Tarde" by Bené Fonteles", Brazil (F);" Lars
Von Trier's Dogville: a mid-stage beetween literature, drama, film and other
narrative media" by Fran Ilich, Mexico - (I) "For Alan and Reiner" (Poem -
Review) by Edward Picot, England - (P); "The Library of Marvels and the
Phenomenological and the Fantastic in South American new media" by Regina
Célia Pinto - letter (P); "NEW WRITING: On arteonline.arq.br" by Isabel
Saij, France (S) (March).

News at the Library of Marvels> new book: "Viewing Axolotls..." by Regina
Célia Pinto, Brazil (March).

News at the gallery Concept of Borders Today> "Pé no Gato" by Aloysio Novis,
Brazil (March).

News at the gallery Borders of net.art - web.art and art today >"BEAM POWER
TUBE, [ r e t r o n i k ]", by Bryan Mackern, Uruguai; "Seven Demons got Out
" by Marcelo Frazão, Paulo Villela and Regina Célia Pint (March).

News at the gallery Digital Poetry > "Rimorso" by Millie Niss, USA; "Tao" by
Alan Sondheim e Reiner Strasser, USA & Alemanha; "Teorema" by J.M. Bezerril,
Brasil (March).

Section: CDs of Art and Poetry >"arte telemática/ dos intercâmbios pontuais
aos ambientes virtuais multiusuário"" por Gilbertto Prado (8) / Brazil /It
accompanies the book "arte telemática/ dos intercâmbios pontuais aos
ambientes virtuais multiusuário" by Gilbertto Prado (March).

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I would like to recomend all these news, but there is one that is very
special for me:

News at the library, interview > Jorge Luiz Antonio and Regina Célia Pinto
interview David Daniels, who renders a touching deposition of his Art and
Life (March).

Everytime I read this touching and sensitive interview of this wise man, I
cry a little bit and I think that perhaps my work on line, the museum, the
library and others are my Gates of Paradise. When I began these works I
never thought that I could get all of this I am geting:

1- Last year the museum was rewarded by Mad 03.
2- I am telling to Empyre about my works in spite of my bad English. All of
us know that Empyre is  a very fine and sophisticated list.
3- Next month I will show my work on line  to Escola de Belas Artes,
Universidade Federal do Rio de Janeiro. It  will  be a lecture.
4- Next September, Gustavo Bernardo is organizing a seminar at UERJ (another
very important university here) and he is intending to show my  "Viewing
Axolots". Bernardo is the author of the book I used to build my  Viewing
Axolotls.

I think that just like David said so poetically "I am cultivating  my  own
garden with affection" and I am doing what I like to do and perhaps "I am
using my  fine invisible engine as soft as the mirror on a pool of silk
water." To read the wonderful interview of  this Poet, who is one of  my
Gurus, browser at

http://arteonline.arq.br/museu/interviews/david.htm

About Paris Connection, I agree totally with you. It was a terrific
experience for me. And my work Paris - Rio de Janeiro Gallery, which I like
so  much is a consequence of your / our Paris Connection. Thanks for have
invited me to participate of your project.

Bye,  it is time to go to my balcony to cultivate my orchids.

Best wishes,

Regina

----- Original Message -----
From: "Jim Andrews" <jim@vispo.com>
To: "soft_skinned_space" <empyre@lists.cofa.unsw.edu.au>
Sent: Thursday, March 25, 2004 11:46 PM
Subject: RE: [-empyre-] The Museum of the Essential and Beyond That


> Hi Regina,
>
> I admire your work on http://arteonline.arq.br , Regina; it is a vast site
> with some fine work from around the world, yet with emphasis on work from
> South America and crossover work between South America and elsewhere. It
is
> unique, and a promising achievement. I also enjoy the architecture of the
> space you have created. It is a multi-faceted space peopled with your
> personality and concerns, yet shows the work you publish there with
> attention and care not to dominate the work via the arteonline interface.
>
> I also enjoyed your further work concerning Paris Connection, which we
> worked on together so hard last year with Jorge, aLe, Ana Maria, Helen
> Thorington, Roberto Simanowski, Nancy Paterson and many from France. That
> was our attempt together to redefine critical projects concering net.art
in
> examining the work of Clauss, Birgé, Durieu, Schmitt, Lamarque, and
> servolvalve. We were all in constant communication on that project for
> several months, and I look back on it with pleasure and hope that it not
> only makes the work of the French guys better known but that it sets a
> standard for critical examination of net.art that is observed and
surpassed
> in the future.
>
> ja
>
>
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